The Inimitability of the Qur’anic Rhetorical Style Part1.

By Dr. Nabil A Haroon

Source : Qu’ran, The Miracle of Islam Chapter 3

It has been proven that Arabs failed throughout all the times and places to introduce what can be said to match the miraculous nature of the Qur’an or of any of its surahs.  This is despite the facts that the Arabs were challenged by Allah through it, that the enemies of Islam were motivated to challenge it throughout the generations till the Day of Judgment, as well as the fact that the impediment to the imitation of its style was absent as the Arabs were the people of eloquence and the Qur’an was revealed in their own language and linguistic styles.

In this chapter, we shall summarize some of the characteristics of the inimitability of the Qur’anic rhetorical style which can be sensed by whoever open-mindedly and sensitively reads, studies, and listens to the Ever-Glorious Qur’an.  There is no need to demonstrate a large number of proofs and examples from the Qur’an, because the entire Qur’an is miraculous in its rhetoric.

3/1 General Aspects

  1. The Qur’an has a unique pattern that is distinct from the Arabs’ poetry or prose.  In addition, it conspicuously diverges from the style of its proclaimer (SAWS) who said, “I am Muhammad the illiterate Prophet, I am Muhammad the illiterate Prophet (thrice), and no Prophet will succeed me.  I was granted (by Allah) the introductory, the comprehensive, and the concluding words (the complete, eloquent and perfect words i.e. al-Qur’an and perhaps the Prophet’s sayings also). [Narrated by Ahmad].
  2. The style of the Qur’an is obviously different even from that of the Qudsy Ahadith which were revealed to the Prophet (SAWS) by meaning, then formulated and proclaimed by him in turn in his own human style.
  3. Its consistency with a certain pre-eminent level, despite the diversity of both of the meanings and subjects: This is even obvious in the ayahs of legislation and judgments- read the ayah of debt (Surat al-Baqarahayah 282) as well as the ayahs of inheritance (‍Surat an-Nisaayahs 11-12).
  4. Its appropriateness for all people regardless of their knowledge or era:  Throughout centuries, common folks as well as the elite, the simple as well as the knowledgeable understand it, become influenced by it, and follow it.
  5. The interrelation of its meanings and subjects enabling them to hold together, forming an integrated, harmonious and inimitable structure.  The frequent alternation of subjects, meanings, and speech is more likely to cause confusion, if attempted by a human writer.
  6. The strong diversity in expressions relating to the same subject.  Each expression adds a new implication, either in the Qur’anic narratives, or in other issues like the hereafter ones.
  7. The strong diversity in directing the speech according to the context in a way that realistically embodies situations and meanings: (from Allah to the Prophet (SAWS) or to certain groups of people, about Allah, or about things, persons, or groups using the third person narrator).
  8. Feeling the sublimity of the divinity of Allah that can be apprehended from the entire Qur’anic expression.  It is mentally impossible for a human being to affect such a style throughout such a large text (more details can be found in chapter 3.)
  9. Switching the significance of words and sentences from the abstract meaning to the tangible and imaginable reflection of those words and sentences, especially in the Qur’anic narratives as well as the scenes of the Day of Judgment.  Similes in the Qur’an illustrate this, such as the ayah which can be translated as, “Allah is The Light of the heavens and the earth; the similitude of His Light is as a niche wherein is a lamp, the lamp in a glass, the glass as it were a glittering planet-kindled from a Blessed Tree, an olive that is neither eastern nor western, whose oil would almost illuminate, even if no fire touched it, Light upon Light…” (TMQ, 24:35).
  10. Changing the silent images into live and moving scenes as in the description of the fall of the night and the rise of the day. Allah says what can be translated as, “And by the night when it darkens, (Or: swarms), and by the morning when it breathes”, (TMQ 81:17-18).  Many other examples can be found as well.
  11. Enlarging, in addition to visualizing, the scene whenever necessary, as in describing the jihad steeds.  Allah says what can be translated as, “And (by) the snorting chargers. Then (by) the strikers (of fire) in sparks. Then (by) the morning raiders. So, they stir therewith a trail (of dust). Then they push forward therewith into the midst of the (enemy) gathering.”(TMQ, 100: 1-5).  See more examples in At-Tasweer Al- Fanni fil Qur’an (The Artistic Description in the Qur’an).   
  12.  The integrity and the unity of the subjects of the surahs and the ayahs in Qur’an as a whole in a way that makes them clarify, and not contradict, each other.  Allah says what can be translated as, “Will they not then contemplate the Qur’an? And if it had been from (any where) other than the Providence of Allah, indeed they would have found in it many difference (s)” (TMQ, 4: 82).
  13. Other examples are the integration of the Qur’anic narratives (See 3.4), as well as the integration of the preaching speech in tackling all the causes of infidelity; the Qur’an reveals and confounds them one by one. (See also La Ya’toon be-Methleh (What No One Can Provide the Like Of)in addition to the scenes of the Day of  Judgment: (See Mashahed al-Qiyamah fil Qur’an (The Scenes of the Day of Judgment in the Qur’an).
  14. The absence of repetition except for two purposes:  Either for emphasis which implies bringing both the meaning and the effect into sharper focus, or for the integration of the images and the figures utilized in the subject, as in the following ayahs: “Then to whichever of your Lord’s boons do you (both) (i.e., the jinn and mankind) cry lies?” (TMQ, 55: 13). “Upon that Day woe to the beliers!” (TMQ, 77: 15). “And indeed We have already made the Qur’an easy for remembrance. Is there then any that will recollect?” (TMQ, 54, 17). “….Those are they who have disbelieved in their Lord and those will have the shackles on their necks, and those will be companions (i.e., inhabitants) of the Fire; they are therein eternally (abiding)”, (TMQ, 13, 5).
  15.  The miracle of fulfilling the varying and contradicting objectives in unison, like:
  16. Extreme brevity or omission while maintaining the desired meaning fully.
  17. Generalizing in details.
  18. Directing speech to the general folks and the distinguished people as mentioned before.
  19. Convincing the mind while appealing to the emotions, this can be sensed by whoever reads the Qur’an wisely, even in theayahsof legislation and judgments.
  20. The numerical miracle in the Qur’an that is represented by the correspondence between repetition and some of the opposite words.  No one can ever consider this in advance before editing such a lengthy and a multifarious text.  This is impossible to be achieved by mere coincidence either.   Including the devils and the angels (88 times in different forms), life and afterlife (115 times),sayi’at (odious deeds) and salihat (good deeds) (180 times in different forms), as well as the words of Qur’an, revelation, and Islam (70 times for each in different derivations) are good examples of this miracle.

 3/2   The Verbal Miracle

1        Perfection of eloquence in selecting each word in a way that fulfills the desired meaning accurately and utterly like no other word.  This is considered to be an imperative miracle.  An instance of such miraculous aspect is the word aghtasha (bedimmed) in the ayah:” And He bedimmed its night and brought out its forenoon”. (TMQ, 79: 29).  It affects the listener and causes him to sense the impact of darkness, silence, stagnancy, and solitude. Another example can be found in the word sakanan (for rest) in the ayah: “The Splitter of the daybreak, and He has made the night for rest, and the sun and moon to all-reckoned (courses). That is the determining of The Ever-Mighty, The Ever-Knowing”. (TMQ, 6: 96).  It gives the impression of serenity and tranquility through the vowel (tone) of the word derived from the nature of its letters and the succession of its vowels.

2        The accurate selection of related words, which appear to be synonyms, in a way that distinguishes the most precise differences in meaning between each word and conveys various subtle nuances.  If replaced with each other, such words lead to the text losing its depth, precision, and consonance.  For example, distinguishing the word “ar-ro’ya” (the vision) to imply the truthful visions of the Prophets as in the ayahs: (48: 27), (17: 60) for the Prophet (SAWS), (37, 105) for Ibrahim (AS[12]), (12, 4-5) and (12, 100) for Yusuf (AS) (Joseph), and the vision of the king that was truthful (12, 43); and the word “holm” (the dream) that points to blurred visions and meaningless thoughts as in the ayahs: (21: 5) and (12:44).  More can be found in Al-I’jaz al’Bayani lil Qur’an (The Inimitability of the Qur’anic Rhetorical Style.)

3        The homogeneity of the Qur’anic implication of each of these close words whenever used in the Qur’an.  Refer to the dictionaries of  Qur’anic terms or to  al-Motradifat fil Qur’an al-Majeed (The Synonyms of the Ever-Glorious Qur’an).

4        The homogeneity of using the letters like baa’, waaw, faa’ (2nd, 27th, and the 20th letters of the Arabic alphabet respectively), and thumma (then) in the same designation throughout the Qur’an.

3/3 The Miraculous Nature of the Qur’anic Sentences

 1        The audio-verbal harmony which can be sensed by the ear even when one does not comprehend the meaning or understand the Arabic language.  As a result, the Qur’an is easily pronounced by the tongue.  Allah says what can be translated as, ““And indeed We have already made the Qur’an easy for remembrance. Is there then any that will recollect?” (TMQ, 54:17).  It can also be readily memorized even by little children, just as it had been memorized by generations throughout the centuries.  There is no other long and rich text which Allah facilitated the memorization of  besides His ever-glorious book.

2       Utilizing the shortest phrase for the deepest meaning.  Examples are numerous, like the ayah of retaliation, “And in retaliation there is life for you, O (men) endowed with intellects, that possibly you would be pious”.  (TMQ, 2: 179); and the ayah, “Take to clemency, and command benevolence, and veer away from the ignorant”.  (TMQ, 7: 199).  Moreover, the legislative ayahs such as the ayah of suckling (2: 233) that included twenty-three rules, in addition to the two ayahs of inheritance (4: 11-12) which included most of the laws of distribution of estate, serve as other important instances. (See Min Rawa’e’ al-Qur’an (From the Wonders of the Qur’an).

3      The eloquence of ellipsis in some situations to indicate the meaning in the most effective and articulate phrase as in the ayahs, “And cast down what is in your right (hand). It will gulp what they have worked out; surely what they have worked out is only the plotting of a sorcerer; and the sorcerer will not prosper where he comes up.  Then the sorcerers were (all) cast down constantly prostrating. They said, “We believe in The Lord of Harû‍n (Aaron) and Mûsa.” (TMQ, 20: 69-70).   Many details were excluded from the context.  It is understood that Musa (Moses) (AS) dropped the stick with his right hand, then the stick gulped the magicians’ ropes.  Thus, the magicians were stunned and thus admitted Moses’ honesty, then they prostrated themselves as a result.

4       The coherent order of the words inside the sentence, ahead or afterward; as well as that of the sentences inside the ayah, in order to achieve the most precise expression and the most profound impression.

5       The ideal eloquence in using figures of speech (e.g., similes, metaphors, metonymy, and synecdoche), (enhancing) rhetorical terms (e.g., assonance, alliteration, oxymoron, and antithesis), in addition to stylistic techniques (e.g., order, prohibition, exclamation, restriction, separation, and linkage) in the right position and amount without exaggeration or fabrication.

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